I don't like the blues: race, place, and the backbeat of black life
(Book)
In this illuminating work, B. Brian Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of black life, a method that he calls 'listening for the backbeat'.
Notes
Foster, B. B. (2020). I don't like the blues: race, place, and the backbeat of black life. Chapel Hill, The University of North Carolina Press.
Chicago / Turabian - Author Date Citation (style guide)Foster, B. Brian. 2020. I Don't Like the Blues: Race, Place, and the Backbeat of Black Life. Chapel Hill, The University of North Carolina Press.
Chicago / Turabian - Humanities Citation (style guide)Foster, B. Brian, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life. Chapel Hill, The University of North Carolina Press, 2020.
MLA Citation (style guide)Foster, B. Brian. I Don't Like the Blues: Race, Place, and the Backbeat of Black Life. Chapel Hill, The University of North Carolina Press, 2020.
Record Information
Last Sierra Extract Time | May 01, 2024 06:49:06 AM |
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Last File Modification Time | May 01, 2024 06:49:16 AM |
Last Grouped Work Modification Time | May 01, 2024 06:49:09 AM |
MARC Record
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100 | 1 | |a Foster, B. Brian,|e author. | |
245 | 1 | 0 | |a I don't like the blues :|b race, place, and the backbeat of black life /|c B. Brian Foster. |
263 | |a 2012 | ||
264 | 1 | |a Chapel Hill :|b The University of North Carolina Press,|c [2020] | |
300 | |a 193 pages :|b map | ||
336 | |a text|b txt|2 rdacontent | ||
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338 | |a volume|b nc|2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
520 | |a In this illuminating work, B. Brian Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of black life, a method that he calls 'listening for the backbeat'. | ||
650 | 0 | |a Blues (Music)|x Social aspects|z Mississippi. | |
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650 | 0 | |a African Americans|z Mississippi|x Social conditions. | |
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