Leonardo da Vinci
(Book)
"He was history's most creative genius. What secrets can he teach us? Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius"--
Notes
Isaacson, W. (2017). Leonardo da Vinci. New York, Simon & Schuster.
Chicago / Turabian - Author Date Citation (style guide)Isaacson, Walter. 2017. Leonardo Da Vinci. New York, Simon & Schuster.
Chicago / Turabian - Humanities Citation (style guide)Isaacson, Walter, Leonardo Da Vinci. New York, Simon & Schuster, 2017.
MLA Citation (style guide)Isaacson, Walter. Leonardo Da Vinci. New York, Simon & Schuster, 2017.
Record Information
Last Sierra Extract Time | Mar 28, 2024 06:09:31 AM |
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Last File Modification Time | Mar 28, 2024 06:11:28 AM |
Last Grouped Work Modification Time | Mar 28, 2024 04:39:02 PM |
MARC Record
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020 | |a 9781501139154 (hardcover) | ||
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020 | |a 9781501139161 (trade pbk.) | ||
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100 | 1 | |a Isaacson, Walter,|e author. | |
245 | 1 | 0 | |a Leonardo da Vinci /|c Walter Isaacson. |
264 | 1 | |a New York :|b Simon & Schuster,|c 2017. | |
300 | |a xii, 599 pages :|b illustrations (chiefly color) ;|c 24 cm | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a I can also paint -- Childhood -- Apprentice -- On his own -- Milan -- Leonardo's notebooks -- Court entertainer -- Personal life -- Vitruvian Man -- The horse monument -- Scientist -- Birds and flight -- The mechanical arts -- Math -- The nature of man -- Virgin of the Rocks -- The Milan portraits -- The science of art -- The Last Supper -- Personal turmoil -- Florence again -- Saint Anne -- Paintings lost and found -- Cesare Borgia -- Hydraulic engineer -- Michelangelo and the lost Battles -- Return to Milan -- Anatomy, round two -- The world and its waters -- Rome -- Pointing the way -- The Mona Lisa -- France -- Conclusion -- Coda. Describe the tongue of the woodpecker. | |
520 | |a "He was history's most creative genius. What secrets can he teach us? Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius"--|c Provided by publisher. | ||
600 | 0 | 0 | |a Leonardo,|c da Vinci,|d 1452-1519. |
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